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SEVENTEEN Ranks Third on Billboard Boxscore Tour Revenue List, Solidifying Its Status as K-Pop’s Top Live Act

SEVENTEEN Ranks Third on Billboard Boxscore Tour Revenue List, Solidifying Its Status as K-Pop’s Top Live Act

SEVENTEEN has emerged as the undisputed leader in the K-Pop live tour market for 2025. According to Billboard’s report on tour revenue for the first half of this year, SEVENTEEN generated approximately $120.9 million in tour earnings over a six-month period from October 1, 2024, to March 31, 2025, securing third place on Billboard Boxscore’s all-genre rankings. By selling 842,000 tickets, SEVENTEEN surpassed Coldplay, which earned $142.1 million, and Shakira, who made $130 million, marking the highest achievement by a Korean idol group on Billboard Boxscore’s first-half rankings. SEVENTEEN’s results go beyond mere numerical records; they reflect structural changes within the K-Pop industry. The group more than doubled its tour revenue year after year, rising from $30 million in the first half of 2023 to $67.5 million in 2024, and then to $120.9 million in this year’s first half. This performance came just before their 10th anniversary and solidified their position as the world’s strongest live performance group. SEVENTEEN’s tour success is not an isolated phenomenon. Five K-Pop groups made it into Billboard Boxscore’s first-half all-genre Top 50, a sharp increase from three groups in 2023 and two in 2022. ATEEZ, along with RM and j-hope from BTS, became the first K-Pop solo artists to appear on Billboard Boxscore, earning $28.1 million in tour revenue. ENHYPEN ($25.6 million) and TOMORROW X TOGETHER ($25.1 million) also reached the upper ranks. All K-Pop artists collectively generated $228 million in revenue from 78 performances in the first half of the year, while selling 1.6 million tickets—representing a 79% increase compared to 2024 and indicating that the market has expanded by more than three times since 2022. Following this successful tour, SEVENTEEN released their fifth studio album, “HAPPY BURSTDAY,” on the 26th, continuing their strong performance in the album market. The title track, “THUNDER,” immediately topped the “K-POP RADAR” Weeekly Fandom Chart based on fanbase growth rates within a week of its release. The music video for “THUNDER” accumulated 27 million views during the tracking period, and the increase in Spotify followers was 56,000, far exceeding the average K-Pop artist’s 1,500 followers. SEVENTEEN also saw an increase of 12,000 Instagram followers and 4,000 Twitter followers, significantly surpassing the overall artist averages of 979 and 111 respectively. Industry experts analyze that the rising tour revenue driven by groups like SEVENTEEN signifies a major shift in the business strategies of Korean entertainment companies. As album sales have declined compared to previous years, live performances have become the primary source of revenue, allowing major agencies such as HYBE, SM Entertainment, and YG Entertainment to boost their first-quarter earnings mainly through concert income. This trend is expected to intensify as the year progresses into its second half.

발행·편집 책임: 국기봉 · KPOP Signal editorialThis article was written with AI from verified source material and passed automated checks before publication. It may contain factual errors. AI disclosure · Request a correction

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