5th Generation Idols Redefine Hip-Hop as K-Pop, Pioneering a New Genre

Hip-hop, which has been present since the early days of K-Pop, has evolved further with the emergence of 5th generation idols. The trend of K-Pop hip-hop started with Seo Taiji and Boys, continued through groups like H.O.T. and BIGBANG, and reached BTS. Today, 4th and 5th generation new-generation idols are forging their own unique identities.

Groups such as LONGSHOT and CORTIS build their identities around hip-hop. LONGSHOT’s debut track “Saucin''” showcases the members’ sophisticated energy over a Memphis rap-style beat, under Park Jae-beom’s stylish direction. CORTIS demonstrates how K-Pop’s boundaries can be expanded through its own creative capabilities, cleverly integrating their lifestyle into beats influenced by Lazy.

Looking at the notable 5th generation hip-hop idol tracks currently available, diverse reinterpretations of various styles are evident. TARZZAN’s solo track “MEDUSA,” part of the All Day Project, is a result of actively embracing current hip-hop trends. 82MAJOR is experimenting with house music styles through its own production skills and strong rap abilities. BOYNEXTDOOR’s “JAM!” features a natural atmosphere capturing impromptu jam sessions in the studio, combining minimal beats with witty rapping.

YOUNG POSSE has explored various hip-hop subgenres, from old-school hip-hop to boom-bap, trap, drill, and G-funk. BABYMONSTER showcases its true charm through tracks like “CLIK CLAK,” which are filled with skillful rap performances. LE SSERAFIM heavily incorporates the latest hip-hop trends in “Fame,” a track that significantly shifts from their previous image. ARrC softens hip-hop elements by layering smooth future synth sounds over elegant rapping.

These hip-hop attempts by 5th generation idols are not merely a mix of genres but rather a process of reinterpreting hip-hop from a K-Pop perspective while shaping their own identities. Their approach, where they take songwriting and composition as a form of play and aim to become the genre itself, serves as evidence of the continuous evolution of K-Pop hip-hop.